It’s becoming increasingly evident that DEI is coming for anime, and it’s coming at a time when voice actors in anime-style games like Genshin Impact are threatening boycotts and meaningless online petitions (but I repeat myself), and manga localizers are crying foul because they could be replaced with AI.

Okay then, I’ll throw my opinion out there. DEI is really late to the party. I mean, really, really late. The party’s already over, everyone has already thrown up, and no one would have been interested in the Bud Light that DEI brought with them, anyway.

The anime boom is over. It has been, for a long time. Prior to it, it was the nineties, anime was really hard to get ahold of for cheap, because it had to cross an ocean to get to us, and translating it to your native language was not easy. Then the internet happened, and at that point, decades of anime started flooding over, and a person could easily go to Suncoast (remember Suncoast?) and pick up volumes of Naruto, Dragon Ball Z, Bleach, and lots of less mainstream stuff that’s been in Japan for decades.

That was the west’s anime boom. But then, releases of new anime slowed to the point of what was new to Japan. And, as it so happens, anime is something of a fringe hobby in Japan. So, in the west, anime is starting to settle down as a niche entertainment option, though not as niche as it was in the eighties.

I get that DEI might be going for anime to spite people like me who has long considered it an alternative to the polluted bullshit that western entertainment like Disney has become. I understand just how fun it can be to put a disproportionate amount of resources into what is basically just spite. It can be a fun sport. But oftentimes, it’s just a cynic’s quest. And in this case, the party is pretty much already over.

And what’s more, alternatives will pretty much always exist, and people will always tend more towards entertainment options that will take them away from the world’s problems, rather than remind them of those who are only making things worse.

At this point, there’s pretty much just one manga and one anime that I have much interest in. And if a bunch of astroturfed localizers set out to ruin it, then I’ll just seek out fan translations and perhaps even the Japanese versions, as they’ll be much closer to what the author originally intended when they wrote their story.

Even though I’m not Japanese, I understand that it’s the tendency of Japanese audiences to care more about the author’s original intent, than the agenda of a committee with creative control over the IP. And when you understand that, it will make intuitive sense to you why DEI is going to fail miserably to gain a foothold in Japan. When it comes down to it, while an American audience might not give much thought to the person or people who wrote The Powerpuff Girls, those who read Naruto are likely to care whether it’s the Naruto that Masashi Kishimoto wrote. Just the same, if creative control of Made In Abyss were taken away from Akihito Tsukushi, it’s easy to imagine that most of its fans would be done with it.

If the DEI investors were aware of this, and they’re probably not, then it’s hard to imagine that there’s anything behind their willingness to go after anime and manga than an attempt to destroy it.

But at this point, it’s too late for that. The best manga that has been made over the course of decades has already been localized, most of it about two decades ago. The boom is pretty much over, and the main stuff to go after would be new stuff that trickles out of what was a fringe industry in its home country.

Alternatives will always exist, and they will always be simple for people to find. And it will be because of the connected nature of today’s world, which was what caused the anime boom, to begin with.

When it comes down to it, the general population has a trait that the ideological dead-enders of DEI lack, and that’s the adaptability of mind that enables us to thrive in changing circumstances. The world is changing, fads come and go, and that’s exactly why DEI will eventually be a byword of times gone by.