New Ghostbusters Film May Indicate that the Film Industry is Coming Out of the Intersectional Muck

The teaser for the upcoming Ghostbusters sequel doesn’t tell us a lot about the movie, other than the fact that there will be a new one. It’s pretty a much a minute of zooming up on the Hearse:

So, they’re making a new one. We also learned that it will be directed by Jason Reitman, the son of Ivan Reitman, who directed the original two. Here is what he has to say about it:

I’ve always thought of myself as the first Ghostbusters fan, when I was a 6-year-old visiting the set. I wanted to make a movie for all the other fans. This is the next chapter in the original franchise. It is not a reboot. What happened in the ’80s happened in the ’80s, and this is set in the present day.

Fans are thrilled about this, because they’re returning to the story in the continuity of the original two films. They’re also anticipating that this means that the 2016 reboot with the all-female team of Ghostbusters will be rendered non-canon, and strictly ignored.

Not everyone is happy about what’s going on, particularly Leslie Jones, who went on a Twitter rant that somehow brought Trump into this:

leslie jones twidurr.png

I had no idea that the President of the United States could decide what movies were made or who to cast in them. I’d have imagined that it would have been more difficult for a Republican to have pull over the film industry, considering the institution’s history as a left-wing vehicle. In fact, the entertainment industry in general has picked on Trump at every opportunity, so it’s hard to imagine that they’re being sympathetic towards him only just now.

The film industry is a business. Like any business, they make money by making products that people actually want. As the film industry found out the hard way in 2016, people don’t want a movie where the only joke told over and over again is “girls rule, boys drool”. Generally speaking, an on-the-nose political statement doesn’t go over well, but it’s mush worse when an established franchise that had little if anything to do with feminism gets turned into yet another tool on the intersectional workbench.

The film, comic, and the rest of the entertainment industry would do well to remember that they make products in order to sell them. Ham-fisted political statements don’t usually go over very well. Get woke, go broke.

get woke go broke

The upcoming Ghostbusters film might be a sign that the film industry is starting to come up out of the intersectional muck. As they do so, we shouldn’t be surprised to see the usual shills banging on pots and pans as they seek out every opportunity to be offended. But because we already know what their opinions are, why even ask them? And if their opinions drag movies down, why should they even be considered?

The answers seem obvious to the rest of us, but we’ve been waiting for the film industry to catch up and come to the obvious conclusion.

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